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| IC LM4910 Pinout |
Monday, February 20, 2012
3VDC Stereo Headphone Amplifier by IC LM4910
Sunday, May 01, 2011
Rangkaian 11-90 hz Subwoofer Filter Using TL072 Op-Amp
Audio Peak Level Indicator By Op-Amp
The circuit was optimized for low current consumption as it was intended for battery operation. To achieve this, the best arrangement has proven to be the one using two different op-amp types for IC1 and IC2. In fact the LM393 IC was not operating satisfactorily as dot-mode LED driver, whereas the LM324 was unable to charge C2 in the linear way, as expected. Therefore, the final circuit is some op-amp wasting, but the small added cost will be quickly compensated by battery savings.
List Component:
R1 : 300K D1,D2,D3 : LEDs
R2 : 1M2 IC1 : LM393
R3 : 510K IC2 : LM324
R4 : 220K IC3 : 78L05
R5 : 91K SW1 : SPST Toggle or Slider Switch
R6 : 160K B1: 9V PP3 Battery
R7 : 56K
R8,R9 : 100R
R10 : 220R
C1 : 100nF
C2 : 1µF/63V
C3 : 10µF/25V
Wednesday, March 23, 2011
Rangkaian Audio Surround Decoder

The operation of the above circuits starts as the stereo sound signal transports surround sound information on the master volume part of the circuit. This will drive the Left channel Lch attached to Model TL072 IC1A and IC1b in which Right channel Rch is attached. The outputs on these operational amplifiers would serve as the input buffer to the following stages of the circuit. IC2C is responsible for summing up the signals from the left and right channels that will power the central loudspeaker output while IC2D is responsible for increasing the phase difference between left and right channels which is encoded in the two channels and will be fed to the rear loudspeakers. It is necessary to ensure that the negative terminals between the rear speaker is not earthed because they will simply function in parallel with the main speakers.
The output of IC2D will power regulated delay unit of audio to the rear loudspeakers. This would lead to the creation of proper sense of spacing in accordance to the size of the room. This will incorporate op-amp sound delay signal IC5 MN3004 which has 512 stages. Since IC4 MN3101 is a clocking signal, it provides timing to IC5 as it functions as an oscillator in the circuit. Variable capacitor C17 regulates the delay time in the circuit. The presence of filters in the circuit is for the purpose of preventing noise that will be produced during the process. These filters can be regulated to cut the frequencies above 8 KHz and under 100 Hz, to be able to drive the rear speaker. The rear loudspeaker is small in size because its input is encoded with a bandwidth of 100 Hz up to 8 KHz. The filters are built around the IC6A/B which is also an output buffer. A potentiometer is placed in every output to aid in the adjustment and regulation of loudspeakers and amplifiers. The supplied power in the circuit is 15 V and every output can drive a single power amplifier.
List Compoment
R1-2-7-8-12-13-18-19-20 : 47Kohm
R3-4-5-6-21-22-34-35 : 10Kohm
R9-10-11-14-15-16-17 : 15Kohm
R23-24-25-33-36 : 100ohm
R26-27-28-31-32 : 100Kohm
R29-30 : 5.6Kohm
C1-8 : 47uF/25V
C2-7-9-14-23 : 47nF
C3-6 : 1uF/100V
C4-5-10 : 33pF
C11-12-15 : 10uF/25V
C13 : 82nF
C16 : 18pF
C17 : 100pF mini adjustable capacitor
C18 : 2.2nF
C19 : 4.7uF/25V
C20 : 100nF
C21 : 10nF
C22 : 180pF
C24 : 150nF
RV1-RV2 : 2 X 10Kohm Log. pot.
RV3-4 : 10K Log pot.
D1 : 1N4148
IC1-6 : TL072
IC2-3 : TL074
IC4 : MN3101
IC5 : MN3004
This Audio Surround Decoder circuit from www.circuit-projects.com
Monday, February 21, 2011
Op-Amp 6-Line Audio Mixer Circuit
The mic inputs are amplified about 100 times or 40dB, the total gain of the mixer including the summing amplifier is 46dB. The mic input is designed for microphones with outputs of about 2mV RMS at 1 meter. Most dynamic microphones meet this standard.
The choice of IC op-amp is not critical in this circuit. Bipolar, FET input or MOS type op-amps can therefore be used; i.e 741, LF351, TL061, TL071, CA3140 etc. The power supply is a dual positive and negative supply, two 9 Volt batteries may be used as shown above or a power supply is recommended for longer periods of use
Sunday, January 23, 2011
Rangkaian Alat Bantu Pendengaran
The heart of the circuit is a constant-volume control amplifier. All the signals picked-up by the microphone are amplified at a constant level of about 1 Volt peak to peak. In this manner very low amplitude audio signals are highly amplified and high amplitude ones are limited. This operation is accomplished by Q3, modifying the bias of Q1 (hence its AC gain) by means of R2.
A noteworthy feature of this circuit is 1.5V battery operation.
List Component
P1 : 22K Log. PotentiometerCircuit from: www.sound.westhost.com
R1,R9 : 10K
R2 : 1M
R3 : 4K7
R4,R7 : 100K
R5 : 3K9
R6 : 1K5
R8 : 100R
C1,C2 : 100nF
C3,C6 : 1µF/63V
C4 : 10µF/25V
C5 : 470µF/25V
D1 : 1N4148
Q1,Q2,Q3 : BC547
Q4 : BC337
MIC1 : electret microphone
SW1 : SPST Switch
J1 : Stereo 3mm. Jack socket
B1 : 1.5V Battery (AA or AAA cell etc.)
Monday, January 10, 2011
9 Volt Portable Headphone Amplifier Circuit

List Component of Portable Headphone Amplifier
P1 = 22KCircuit From: www.redcircuits.com
R1 = 18K
R2 = 68K
R3 = 68K
R4 = 68K
R5 = 18K
R6 = 68K
C1 = 4.7uF/25v
C2 = 4.7uF/25v
C3 = 22pF
C4 = 220uF/25v
C5 = 220uF/25v
C6 = 4.7uF/25v
C7 = 22pF
C8 = 220uF/25v
J1 = 3.5mm Stereo Jack
B1 = 9V Alkaline Battery
IC1 = NE5532 or NE5534
SW1 = SPST Toggle Switch
Wednesday, November 24, 2010
Megabass Circuit
- The input capacitor can be replaced with a .01uf cap if you wish.
- The 10pf capacitor is optional and will start rolling off everything over 15kHz. 5pf will double this to 31kHz.
- The tone control requires a low impedence input. If you already have a low impedence input, the input buffer can be removed. However, the output is inverted.
- The opamp is not critical. A 4558 would be just fine.
- I do not show the parts for the +4.5 reference. Here is the +4.5 voltage divider I used.
Absolute maximum ratings of A4558 Ap-amp
- Supply voltage VCC 20 or ±10 V
- Differential input voltage VIND 20 V
- Input voltage VIN ±10 V
- Power Dissipation PD 300 mW
- Operating temperature Topr -45 ~ +85 °C
- Storage temperature Tstg -55 ~ +150 °C
Saturday, August 14, 2010
Rangkaian Audio Channel Selector Stereo
Audio Channel Selector
When the circuit switch on, channel A (AR and AL) is selected. If no audio is present in channel A, the circuit Waits for Some time and then Selects the next channel (channel B). This search operation continues Until it detects an audio signal in one of the channels. The inter-channel delay time or the wait Can be adjusted with the help of preset VR1. If still longer time is needed, May replace one capacitor C1 with of higher value.
To manually skip over from one active channel to another active channel, simply push the skip switch (S1), until the desired channel input gets selected. The selected channel (A, B, C, or D) is indicated by the glowing of corresponding LED (LED11, 12, 13, or 14 ).
IC5 KA2281 is used here for not only indicating the audio levels of the selected stereo channel, but also for forward biasing transistor T1. As soon as a specific threshold audio level is detected in a selected channel, pin 7 and/or pin 10 of IC5 goes low . This low level is coupled to the base of transistor T1, through diode-resistor combination of D2-R1/D3-R22. As a result, transistor T1 conducts and causes output of IC1 to remain low as long as the selected channel output exceeds the preset audio threshold level.
Presets VR2 and VR3 have been included for adjustment of individual audio threshold levels of left and right stereo channels, as desired. Once the multivibrator action of IC1 is disabled, output of IC2 does not change further. Hence, searching through the channels continues until it receives an audio signal exceeding the preset threshold value. The skip switch S1 is used to skip a channel even if audio is present in the selected channel. The number of channels can be easily extended up to ten, by using additional 4066 ICs.
Sunday, February 14, 2010
Rangkaian Peredam Noise Audio (DNR system )
Peredam Noise Audio (DNR system )
This circuit can be use to audio noise reduction for use with audio playback systems. The DNR system is noncomplementary, meaning it does not require encoded source material. The system is compatible with virtually all prerecorded tapes and FM broadcasts. Psychoacoustic masking, and an adaptive bandwidth scheme allow the DNR to achieve 10 dB of noise reduction. DNR can save circuit board space and cost because of the few additional components required.

- Non-complementary noise reduction, “single ended”
- Low cost external components, no critical matching
- Compatible with all prerecorded tapes and FM
- 10 dB effective tape noise reduction CCIR/ARM
- weighted
- Wide supply range, 4.5V to 18V
- 1 Vrms input overload
- Automotive radio/tape players
- Compact portable tape players
- Quality HI-FI tape systems
- VCR playback noise reduction
- Video disc playback noise reduction
The circuit system should always be placed before tone and volume controls. Placing DNR system after tone or volume control won’t work because any adjustment of these controls would alter the noise floor seen by the DNR control path.
Monday, December 21, 2009
Rangkaian Pre-Amp Mic Condenser
Pre-Amp Mic Condenser
all capacitor (elco) using 25-volt
to avoid the buzzing sound, use a good regulator supplay
This circuit can provide voltage 6-20volt

Pin BC109
- Emitter
- Base
- ollector, connected to the case
BC109 limiting values
collector-base voltage 30 V
collector-emitter voltage 20 V
emitter-base voltage 5 V
collector current (DC) 100 mA
peak collector current 200 mA
peak base current 200 mA
total power dissipation Tamb £ 25 °C - 300 mW
storage temperature 65 +150 °C
junction temperature 175 °C
operating ambient temperature -65 +150 °C
DC current gain (hFE) IC = 10 mA; VCE = 5 V 100 -- 270
Tuesday, December 15, 2009
Rangkaian Subwoofer Controller
Subwoofer Controller
The board has only one input, so if you plan to use a normal stereo feed supplying a single P48 board, you'll need to sum the two stereo outputs. This is easily accomplished by using a pair of resistors - the value should be between 2.2k and 4.7k. If this is done, replace R1 with either a 100 ohm resistor or a wire link.
VR1 is used to change the gain of the second integrator. The level through the controller can be set to make sure that there is no distortion - there can be a huge amount of gain at low frequencies, and if the gain is too high, distortion is assured!
The high-pass filter is designed as a peaking type, and gives a response that is almost perfect down to 20Hz. The lowest frequency can be tailored by changing C1, C2, C3 and C4. As shown, the response peaks at 18Hz, but you can use 68nF to increase this to 27Hz, or 47nF for 39Hz. See Table 1 for the full range of values.
Important:
More detail
Rangkaian Audio Limiter Berbasis Op-Amp
This audio peak limiter employs a FET as a variable resistance to attenuate the input signal according to a control voltage (CV). It offers unusually good performance with low cost and component count. A TL072 dual opamp (U1) provides the circuit gain and full wave peak detection.
The 4.7K resistor and 1uF capacitor (R14 and C5) determine the attack time, which is about 5ms as shown. R12 and C5 determine the release or recovery time, and as shown this is approximately 1 second.
R11, C3 C4 and R13 form the distortion cancelling circuit, and as can be seen, the control voltage impedance is very low compared to the distortion cancellation impedance, so the circuit's attack time is not compromised. The values of resistance and capacitance have been optimised for the least distortion across the audio band, at 0.3% THD typical for frequencies above around 500 Hz, at 1.65V RMS output level. Below 500 Hz, the distortion rises gently with decreasing frequency, but also falls with lower voltages. Distortion is negligible at any voltage level below the limiting threshold.
Be careful of values for R14 of less than 1k, as the opamp will be unable to supply the current needed to charge C5. R13 (3k) is easily made using a 1k2 and 1k8 resistor in series. C5 needs to be a low leakage capacitor - either a low leakage electrolytic or a tantalum. A standard electro is inappropriate for this circuit.
In addition, always keep R12 a minimum of 10 times R14 ... for example, if R14 were to be 1k, the minimum value for R12 will be 10k. This would be a very fast limiter indeed
Monday, December 14, 2009
Rangkain Pemutar CD/MP3 CD Dengan CDROOM
Pemutar CD/MP3 CD Dengan CDROOM

Note:
- The circuit can be assembled on a Vero board
- Heat sinks are recommended for IC regulator 7812,7805
- Used transformator 12-CT-12 2 Ampere
Thursday, December 10, 2009
Rangkaian Penguat Headphone
Penguat Headphone Hi-fi
Its advantages are :
- low output impedance to drive several pairs of phones
- The active gain stage is, almost, perfectly logarithmic and ...
- Independent of the absolute value of the pot
- Excellent channel tracking
- O/P noise reduces with gain reduction.
The first stage is a conventional series feedback circuit using the ubiquitous NE5534, the gain being set by the feedback AOT (adjust on test) resistor to suit individual needs, this stage provides the necessary low impedance output for the variable gain stage. The resistor/ capacitor networks around the input stage may seem a little extravagant, but are necessary to reduce any possible RF pickup especially the 470 pF between the two IC + and - inputs.
The complete second stage consists of a zero gain follower, an inverting gain stage and the output emitter followers, 'volume control' gain being set around these three stages. The x10 gain of the inverting stage gives the closest approach to a logarithmic law, stability being ensured by the 27pf capacitor in this stage's feedback. The output complementary pair runs in Class-A at about 80 mA and should be mounted on a small heatsink.
Rangkaian Bass-Midle-Treble (3 line) Crossover Aktif
This is a simple treble-midle-bass (3-way) crossover Circuit, intended for triamping Hi-Fi systems. This is a conventional 12dB / Octave unit, and cannot be expected to have the same performance as a Linkwitz-Riley aligned filter network. It will still be a vast improvement over nearly any passive crossover, and is ideal for beginners or those who want to experiment further with multi-amping, but without the complexity of a major project. The retuning (to (sub)-Bessel / Linkwitz-Riley alignment) is recommended, as the performance will be more in line with modern standards - see information below.
Low-mid range: Low pass filter, fh = 300 Hz.
fh = 1 / (2 * π * R1 * C1), assuming R1 = R2 & C1 = C2 = 10nF. This yields R1 = R2 = 53K (used 56K).
Mid range: Low pass filter, fh = 3000 Hz, followed by a high pass filter fl = 300 Hz.
Assuming R1 = R2, R3 = R4, C1 = C2 = C3 = C4 = 10nF.
For the low pass, fh = 1 / (2 * PI * R1 * C1), yields R1 = R2 = 5.3K (used 5.6K).
For the high pass, fl = 1 / (2 * PI * R3 * C3), yields R3 = R4 = 53K (used 56K).
Mid-high range: High pass filter, fl = 3000 Hz.
fl = 1 / (2 * PI * R3 * C3), assuming R3 = R4 & C3 = C4 = 10nF. This yields, R3 = R4 = 5.3K (used 5.6K).
In the above schematic are shown the low-mid range, mid range mid-high range filters. The x'over frequencies chosen are 300Hz and 3000Hz. Thus the low-mid range filter has a cut-off frequency of 300 Hz, the mid range has a lower cut-off at300 Hz and an upper cut-off at 3000Hz, and the mid-high range has a cut-off frequency of 3000 Hz. Please see references (2) for the x'over frequencies.
Wednesday, December 02, 2009
Rangkain Surround Sederhana Berbasis Op-Amp
Although there have been similar circuits published over the years, this is a little different in a few areas. I wanted to avoid having any active electronics in the main Left and Right channels, since this eliminates any possibility of sound degradation due to the introduction of the opamps. The input impedance of 50k will not pose a problem for any preamp (including valve types), and the main signal is simply in parallel with the additional circuitry.
No volume control has been included, since you already have one in the preamp. It would just become another component to fiddle with, and since it would be rarely used, would probably become noisy over time.

U1B is a simple summing amplifier, and the output contains all the information from both the left and right channels. A possibility that springs to mind is that we could then subtract the difference information from this output, so that only material that is absolutely common to both channels would be reproduced. Would this improve the performance to the extent that the extra circuitry is warranted? I tend to doubt it, but will look into this further.
Tuesday, December 01, 2009
Rangkaian 2 line Crossover Aktif
The electronic crossover featured here is an 18dB / octave unit, and has the crossover frequency centred on 300Hz.

Be careful when adjusting the level of controls, since it is easy to create a mismatch in levels between the amplifiers. I suggest that the controls be mounted on the rear panel, with their shafts cut off really short, and a slot cut into the end with a hacksaw. Once the adjustment is made, it should not require further changes in use. Make sure that the power amplifier volume controls (if fitted) are turned fully up, and try to set the crossover controls so somewhere between midway and 75%. This ensures plenty of scope for getting the levels right, and will Ensure that the preamp settings are not radically different from their "pre-biamp" days.
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Audio Limiter Sederhana Untuk Power Amplifir
Rangkaian Audio Limiter Sederhana Untuk Power Amplifir
The gain control element is a Light Dependent Resistor (LDR). Once this point is reached, a very small increase in amplifier output voltage (and power) will cause the LED to provide much more light, reducing the value of the LDR, and thus reducing the input voltage. The effect is to keep the level more or less constant. This will prevent the amp from clipping (although a small amount on transients is unavoidable), and increase the apparent loudness because the signal is compressed.

picture above shows the circuit of the unit. A 10k resistor was selected for the input, and although this is lower than I would like, many power amps have a relatively low input impedance and too much signal would be lost. The LDR simply shunts the signal to earth when it is illuminated. A single unit should control both channels of the power amp as shown. If only one channel is needed, then delete the components for "Right", including the associated light pipe. Use the input circuit shown in Figure 3 to improve limiting by using a higher input resistance.
IMPORTANT- If your amp is operating in bridge mode, the terminal marked "Com" must go to earth - not one or the other of the speaker leads. For automotive use (or any other single supply bridged amplifier), you must use two completely separate circuits, since the speakers operate with a quiescent voltage of about 7V above the chassis (earth) voltage, and there is no usable common terminal available.

The value of R3 must be selected based on the amplifier power. For a 100W amp, a value of 1.8k is about right, but it is likely that a little experimentation will be needed. As a rough guide, the table below will be helpful, and it is probable that the value from the table will be OK. The idea is to limit the current through the LED to a sensible maximum.
The polarity of the connection to the power amp output does not matter since a bridge rectifier is used. Very little current is drawn from the power amp output, and the whole circuit is self limiting, so it is not critical. When complete, advance the volume until you figure that this is a loud as you want the amp to be, and adjust the trimpot until the external LED just flashes. Use a multi-turn trimpot, as the setting is quite touchy. It could be made much less so, but at the expense of circuit flexibility.
Now, if you try to drive the amp harder, the external LED shows that the circuit is working, by flashing brighter, but the volume should remain quite stable. This can be checked with an oscilloscope (ideally), but otherwise just set it by ear. As more signal is driven into the amp, it may sound louder, but this is only because the input signal is being compressed.
Amplifier power in Table 1 for an 8 Ohm load. All diodes are 1N4004 or similar. The voltage rating on the caps should be 63V, and R2-L and R2-R should be rated at at least 1W. VR1 should be a multi-turn trimpot. High brightness LEDs will improve sensitivity and are recommended (but not essential).
Thanks to sound.westhost.com
Monday, November 16, 2009
Rangkaian Loudness Aktif
A simple approach to this problem can be done inserting a circuit in the Preamplifier stage, capable of automatically varying the frequency response of the entire audio chain in respect to the position of the control knob, in order to keep ideal listening conditions under different listening levels .
Fortunately, the human ear is not too critical, so a rather simple circuit can provide a Satisfactory performance through a 40db range.
List Component Of Loudness Aktif
P1______________10K Linear Potentiometer (Dual-gang for stereo)
R1,R6,R8_________100K 1/4W Resistors
R2______________27K 1/4W Resistor
R3,R5____________1K 1/4W Resistors
R4______________1M 1/4W Resistor
R7______________20K 1/2W Trimmer Cermet
C1______________100nF 63V Polyester Capacitor
C2______________47nF 63V Polyester Capacitor
C3______________470nF 63V Polyester Capacitor
C4______________15nF 63V Polyester Capacitor
C5,C9____________1µF 63V Electrolytic or Polyester Capacitors
C6,C8____________47µF 63V Electrolytic Capacitors
C7______________100pF 63V Ceramic Capacitor
IC1_______________TL072 Dual BIFET Op-Amp
SW1________________DPDT Switch (four poles for stereo)


















